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By Garrick Bercero

As the dust settles from another year of the Feast of the Black Nazarene, we again hear numerous reports of stampedes and injuries. Just shy of 1000 people were injured during the feast.

The feast is characterized by literally millions of devotees (largely comprised of children dragged along by relatives, the elderly, the infirm, the disabled, and the poor) moving along with an over 400 year-old statue of Jesus throughout the streets of the city of Manila. As in the tradition that St. Veronica (derived from the Latin for “true image”) wiped Jesus’ face as he marched to his execution, true believers scrimmage to wipe white cloths on the statue. The devotees shuffle and push against each other just to get a touch of the Black Nazarene wooden idol, which is believed to have magical powers of wish-granting.

Millions, particularly the poor, skip out on work (which likely earns them barely enough for a living) in the hope that the statue will turn their fortunes around. Of course, they are only met by rainsand crushing stampedes. We can, naturally, expect at least some of the devotees to have a lucky day. It is practically certain that at least one of the poor and sick people marching in the streets of Manila will enjoy a significant cash windfall or be healed of a serious affliction—just by random chance. In fact, if none of the 3 million reported attendees had at least a marginally interesting anecdote of supposed providence, then something would be quite peculiar about the Feast of the Black Nazarene worthy of deeper investigation.

The familiarity of the Jesus story has anesthetized us from what is at the heart of the ritual. Millions of men, women, and children are parading around with a wooden statue of a bloodied victim of torture, capital punishment, and God-sanctioned human sacrifice. The Black Nazarene is an ironic pornographic celebration of violence—the overt violence of the past and the more subtle violence of the present.

Read the full article on the Filipino Freethinkers website.