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Posts tagged "Kenneth Keng"

by Kenneth Keng

You may have heard about Pro-Life Philippines’ recent filing of their new congressional party list, ANG PRO LIFE. Perhaps you wondered how this camp, with high profile supporters like Golez, Pacquiao, Sotto, and Enrile, who have managed to delay reproductive health legislation for more than a decade, could realistically be called ‘underrepresented’ (a basic requirement for establishing a party list group). Maybe you were even concerned about how the running of this obviously religious group would violate the separation of church and state under our Constitution.

Apparently, you have nothing to worry about! But don’t take it from me, take it straight from the lips of Pro-Life president Eric Manalang himself. After briefly joining the Catholics4RH in their protest outside COMELEC this morning, myself and a couple other Filipino Freethinkers attended the actual party list hearing for ANG PROLIFE. Here is a transcript of Mr. Manalang’s (EM) first few minutes on the witness stand after being sworn in under oath, with the Hon. Lucinito Tagle and the Hon. Elias Yusoph serving as presiding justices (PJ).

PJ: What sector do you intend to represent with this party list of yours?

EM: This sector intends to represent the structure of families in the Philippines and the youth that belong to them, and more particularly the OFW families who are the most dysfunctional part of the family structure of Philippines, by the very nature of them, about 10 million of them having their parents or spouses abroad, and this is the sector we wish to represent as they are not yet represented.

PJ: Is it true that you are related to any religious group?

EM: I’m a Catholic of course and I won’t deny it, though they (nodding to the Catholics4RH contingent across the room) claim they’re also Catholics, but I would say I’m not part of CBCP or any form of formal Catholic brand organization.

Read the full article on the Filipino Freethinkers website.

by Kenneth Keng

Right now I so very badly want to be exploring the Winterfell-esque beauty contained in Bethesda’s latest action-RPG epic Skyrim, but as it stands now I seem to have traded in fighting this :

to save this:

for fighting this:

to save this:

Read the full article at the Filipino Freethinkers website.

 

by Kenneth Keng

A couple of weeks ago, actor-director-advocate Mae Paner (a.k.a. Juana Change) assembled a tremendous panoply of talent to produce the video you see below. For some reason, she also invited me, but anyone who can see past the travesty of my accent will surely enjoy and be challenged by the ideas contained herein. I firmly believe that pieces such as this embody what the artists’ community meant by utilizing the religious conservatives’ bullying and politicians’ opportunism as an opportunity to educate citizens of all ages.

 

Read the full article on the Filipino Freethinkers website.

by Kenneth Keng

The Board of the Cultural Center of the Philippines will face a Senate hearing this Tuesday morning, August 16 at 930am in the Plenary Hall of the Senate Building in Manila to answer for their ‘crime’ of displaying the Kulô exhibit. The CBCP and its conservative religious right allies will be mobilizing en masse to support their new inquisition, so we are putting out a call to any and all who can make it to troop to the plenary hall gallery (as its a public hearing any valid ID will get you in) and support freedom of speech.

Just by sitting in the hall in numbers across from the same religious right groups that continually threaten violence against the CCP and the artists it supports, you can make a difference by showing the Senators in attendance that there are those who are willing to stand firm against censorship.

Links:

Read the full article in the Filipino Freethinkers website.

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by Kenneth Keng

This article was written prior to the forum held at the Cultural Center of the Philippines (CCP) regarding the controversy over Mideo Cruz’s artwork, which was conducted last August 5, 2011. 

For a reaction to the forum by CCP’s Visual Arts Officer-in-Charge Karen Ocampo Flores, click here.

— 

I must admit to writing this out of anger and out of fear. Just this morning, two individuals walked into the Cultural Center of the Philippines’ gallery housing the exhibit Kulo and proceeded to do the following:

The culprit/s wrote in BALLPEN on portions of the artworks, a pedestal, and walls, “EMEDEO [sic] SUMPAIN KA! BAKLA!” And then on another (unfortunate) artist’s work that had the word “MOVE,” he or she wrote, “TO HELL.” The culprit/s also hacked off the wooden penises from the cross installation.

- Tony Perez, via Facebook

This is the very same exhibit which the CBCP and its ally Pro-life Philippines’ President Eric Manalang has demanded the closure of. When the CCP organized an open forum to discuss the matter with him and the museum going public, he proceeded to threaten to file a lawsuit against them the day before the forum.

I am deeply angry at the barbarians who perpetrated this shameless act of vandalism against public artworks, and I am afraid at the lengths to which people like them are willing to go for their so-called loving faith. If the CBCP or its allies fail to do anything less than totally condemn this barbaric action, then it will confirm my worst fears about how little value they put not only on freedom of expression, but on basic respect for other people’s lives, livelihood and property.

UPDATE: Ah. Color my fears confirmed, then:

Atty. Jo Imbong on CCP vandalism: “Now we see how a disordered act like an exhibit like that can fuel other disorders. Evil leads to more evils in its wake.” Imbong is from a Catholic lay group filing charges against the CCP and the artist. – Jeff Canoy over twitter (continuation)

Despite every effort made at civil accomodation, the CBCP and Pro-life Philippines have shown through their actions that they do not want discourse or discussion; they only want their demands met and their dictates obeyed.

Read the full article at the Filipino Freethinkers website.

by Kenneth Keng

Mideo Cruz is the artist behind the controversial artworks being exhibited in the Cultural Center of the Philippines. His works have enraged bishops with their supposedly blasphemous content and have made Pro-Life Philippines take up a moral crusade, threatening to sue the CCP and the artist in an effort to censor Mideo Cruz’s freedom of expression for perceived outrages against their faith. What follows is an email interview with the artist. The interview has been edited for grammar and clarity.

Kenneth Keng: Kindly briefly introduce yourself for the benefit of our readership.

Mideo Cruz: I’m a visual artist who commonly tries to cross borders of discipline in producing my works. The most notable work I’ve created in the past is the “banquet” for which I was awarded the Ateneo Art Awards in 2007. I’ve frequently been invited outside the country for my creative works and was awarded the CCP 13 artists awards in 2003. Actually I feel uncomfortable with this question can I just attach my CV?

Could you describe the piece in question?

Mideo Cruz: A wall collage; I started doing it since 2002 from things that I’ve collected since I’m in high school. The manner was practically inspired by what we see in common houses where people put pictures of celebrities, politicians, etc on the wall of their houses.


Relic

Relic (cross) originally titled relic of my nation, done in 2004. The making of the Filipinos after several layers of colonization. Partly inspired by how we got the name of the country in paradigm to the monarchal trend of collecting religious relics.

Poon (chirst the king) deconstructing the sacredness and reconstructing the icon with parallel meanings. Coca cola and mickey mouse as epitome of neo liberalism.

Most of the outcry has been about the phallic object placed on the works. Phalluses have been objects of devotion in many cultures; they use them as amulets, symbolic statues, etc. They might be a symbol of power and patriarchy.

What would you say was the general intention of your piece, and how does it fit into your existing body of work?

Mideo Cruz: I’m exploring a lot about the nature of the deity. How people attributed the sacredness. How symbols evolve from various civilizations, how the worship evolves. But this particular piece is more regional and cultural attributing to our psyche as Filipinos. And also pertaining to our aesthetic perception.

How do you feel about the current threat of lawsuit unless your work is taken down?

Read the full article at the Filipino Freethinkers website.

By Kenneth Keng

I recently spoke at a small RH forum in De La Salle University where Carlos Antonio Palad, Philosophy doctorate from UP and ardent opponent of the RH Bill, while accompanied by his companion from Defensores Fidei, said that though he might not agree with what I said, he would defend to death my right to say it.

I therefore would like to humbly ask for the good professor’s promised aid in this latest case of CBCP censorship. Their chosen organization for distancing and deniability this time is Pro-life Philippines, with the effort being personally spearheaded by its president Eric Manalang, who has been demanding that an art exhibit containing, among others, the work of Mideo Cruz in the Cultural Center of the Philippines be taken down.

“By Thursday afternoon, we will file a case if they do not stop the exhibit and if they do not also make amends because stopping is not enough. The damage has been done,” Eric Manalang, president of Pro-life Philippines, said in an article posted on the Catholic Bishops’ Conference of the Philippines news site on Tuesday.


“Relics”, one of the works by Mideo Cruz

To address their demands, CCP set up an open forum this Friday, inviting the general public and concerned parties to come and openly discuss the issue.

Pro Life Philippines’ response to this invitation has been to ignore it and any other attempts at dialogue, then threaten a lawsuit if the exhibit was not taken down by Thursday afternoon, the day before the open forum which was organized in large part for them.

Since the start of this year, the CBCP and its allies have taken down this fast food commercial with its obviously demonic children, as well as the society destroying pectorals of the Philippine Volcanoes rugby team. Having taken on the imperialist capitalist conspirators Mcdonald’s and Bench Apparel, perhaps they now finally feel confident enough to crush the greatest threat to the cultural heritage of the Philippines: the, er, Cultural Center of the Philippines.

Read the full article at the Filipino Freethinkers website.